Camille Yvert’s sound and text work uses the car as a symbol to bridge technology and emotion. A second skin; a utopian extension of our anatomy, it is intertwined with global mobility. Elijah Maja explores the pace of a city, of a landscape, of speech. His interest in call and response as a technology for inquiry, encounter and memory is central to his sound and moving image work. In a similar vein, patterns in human communication is a point of departure for SAGG Napoli. Playfully tongue-and-cheek, her focus on Italy’s internal colonialism introduces complex questions in her work, which she confronts through a feminist lens. Ryder Morey-Weale takes from his immediate surroundings. Using salvaged cardboard and other discarded materials, his free-standing and wall based works are speckled with naturalised moths and dried plants, a reminder of humans’ intertwined relationship with nature. Sofia Hallström draws from images, objects, and motifs from a wide range of historical moments and contexts; within them she explores the frictions between public and private space. Luca Longhi's archival approach captures overlooked spaces—kitchens, cafes, construction sites—melding symbols with architectural details, unravelling their interconnected signs and layers. Collage, layered symbols and signs are similarly explored in Waj Hussain’s work. Engaging in the 'cut-up' technique using text from gay magazines, his work adds a playful challenge to conventional gallery norms. Extending out of the gallery space, REDEYE plays a role in fostering cultural exchange within the city by amplifying underrepresented voices through their monthly film screenings.